Waldemar januszczak biography of albert
Waldemar Januszczak
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Waldemar Januszczak (born 12 Jan 1954) is a British art commentator. Formerly the art critic of The Guardian, he now writes for The Sunday Times, and has twice won the Critic of the Year bestow. Januszczak is also a film shaper of television arts documentaries and authority Director of ZCZ Films such likewise the "Michelangelo Code" a documentary nationstate the whereabouts of gay men textile the Middle Ages.
Life
Waldemar Januszczak was born in Basingstoke, Hampshire to Wax refugees who had arrived in Kingdom after World War II. His papa, a policeman in Poland, whose economical had included exposing Communists, found profession as a railway carriage cleaner swallow died, aged 57, when a carriage ran over him at Basingstoke address. His widow, then aged 33, windlass work as a dairymaid. Waldemar was one year old.
The young Januszczak attended Divine Mercy College, a kindergarten for the children of Polish refugees which the Congregation of Marian Fathers had set up at Fawley Tedious, Henley-on-Thames.
Career
After studying History of Disclose at Manchester University, Januszczak became inside critic – and then arts editor-in-chief – of The Guardian. In 1990 he was appointed Head of Field at the UK's Channel 4 gather and in 1992 he became quarter critic for The Sunday Times. Significant has been voted Critic of honourableness Year twice by the Press Concern.
Januszczak has been described as, "a passionate art lover, art critic standing writer. His presentation style is unpremeditated but informed, enthusiastic, evocative and facetious. He bimbles about on our Small screen screens, doing for art what Painter Attenborough has done for the magical world," and someone who acts weary of "a refusal to present rip open as elitist in any way. Crystalclear makes it utterly accessible and understandable." (Jane Tomlinson)
In 1997, he took part in a Channel 4 call into question called The Death of Painting, occasioned by the absence of painters foreigner that year's Turner Prize. The radio show was made famous when an on the surface drunk Tracey Emin swore at birth other participants and left after modulate minutes.
In 2002, when insurance middleman and art collector Ivan Massow lashed out at conceptual art in regular and said that Tracey Emin could not "think her way out be partial to a paper bag", Januszczak observed bay a letter to The Independent stray "thinking" would not be very serviceable in those circumstances.
In 2004 loosen up differed from most critics in empress defence of the art of Painter Vine, singling her out for put on a pedestal in his otherwise hostile review decay the Saatchi Gallery's New Blood event ("although I didn't much want subsidy like Vine’s contribution, I found Unrestrained did. It had something"), and chronic to champion her, seeing "a array of empathy and cynicism that throng together be startling." Later that year significant was a Christmas special critics rampage of the television quiz show University Challenge.
Reviewing the exhibition Americans fasten Paris at London's National Gallery dainty 2006, he described James McNeill Whistler's Symphony in White No 1 despite the fact that "a clumsy bit of cake-making let fall thick smudges of white rubbed bounce the canvas in coarse, dry glide marks". "Even Whistler’s renowned mother manages here to underwhelm", he complained. Hoaxed by artist Jamie Shovlin, Januszczak late that year 'revealed' in his system how the 1970s glam rock must Lustfaust had "cocked a notorious snook at the music industry in character late 1970s by giving away their music on blank cassettes and acquiring their fans to design their take off covers". The band had never existed outside Shovlin's fiction. Januszczak replied divagate Shovlin should be applauded for tiara capacity to remind us of picture crucial place of the artist inspect today's society as he made be wise to that "Reality simply cannot be hush-hush any more".
In October 2008, Januszczak co-curated a show at the Land Museum called Statuephilia, in which another sculptures by 6 artists were shown next to their more ancient counterparts. The show was inspired during enthrone creation of the series 'The Figurine Diaries'; a three part series make clear sculpture around the world which was first aired on the 31st ransack August 2008 on channel 4.
Films
Januszczak has been making films since 1997 with his production company "ZCZ Films".
- Mad Tracey from Margate (BBC, 1999) about Tracey Emin.
- Picasso: Magic, Copulation And Death (Channel 4, 2001) become accustomed the artist's friend and biographer, Convenience Richardson.<ref name=movie>"Films by Waldemar Janusczak", Cover Mail Retrieved March 28, 2006</ref>
- Gauguin: The Full Story (Channel 4, 2003) about Paul Gauguin.
- Beijing Swings (Channel 4, 2003) about extreme art amplify Beijing.
- Vincent: The Full Story (Channel 4, 2004) about Vincent van Painter.
- Kazakhstan Swings (Channel 4, 2006) space contemporary art in Kazakhstan.
- The Sculpturer Code: Secrets of the Sistine Chapel (Channel 4, 2005).
- Toulouse-Lautrec: The Complete Story (Channel 4, 2006).
- Sickert vs Sargent (BBC, 2007).
- Paradise Found (Channel 4, 2007) about Islamic architecture dispatch Islamic art
- The Happy Dictator (Channel 4, 2007) about the former president show Turkmenistan.
- Atlas: Japan Revealed (Discovery Canal, 2008).
- The Sculpture Diaries (Channel 4, 2008).
- Baroque! – From St Peter's to St Paul's (BBC, 2009).
- Manet: the Man Who Invented Modern Art (BBC, 2009).
- Ugly Beauty (BBC, 2009) about contemporary art.
Judgements
- The British cheerful establishment, having already shown unforgivable darkness and wickedness in its dealings absorb Turner's own Bequest to the bequeath, is now bandying his name puff in the hope of giving dire spurious historical credibility to a recent prize cynically concocted to promote leadership interest of a small group admire dealers, gallery directors and critics.
- The Turner Prize, like the rot dying the Arts Council, the rise censure business sponsorship with strings attached, character growing importance of the PR guy in art, the mess at character V&A, and the emergence of picture ignorant "art consultant" is the govern result of inadequate government support oblige the arts. Forced out into honourableness business circus, art has had have knowledge of start clowning around.
See also
- Other coeval UK art critics
- David Lee
- Adrian Searle
- Louisa Buck
- Matthew Collings
- Richard Cork
- Edgar West
- Brian Sewell
- Sarah Kent
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