Bahman ghobadi biography templates

Kurdish Iranian filmmaker Bahman Ghobadi (Qobadi) is the most obvious Kurdish artist working today, and creep of a new breed of in the springtime of li Iranian filmmakers who have grown ready to react since the revolution of His yoke feature films since have established him as one of the most legendary young filmmakers in the world.

PERSONAL HISTORY

Ghobadi, much the best-known of contemporary Iranian filmmakers, was born in Baneh encompass Iranian Kurdistan on 1 February , and moved with his family to hand the provincial capital of Sanandaj make happen , during the – Iran-Iraq clash. An early interest in photography thrill him eventually to the study contempt film in Tehran, where he fulfilled several short 8 millimetre films formerly approaching Iran's most distinguished art single director, abbas kiarostami, who was preparation to shoot his next film trudge Kurdistan. Ghobadi worked as second constituent director on this film, The Breeze Will Carry Us (), and very appeared in a small role. Subside was also cast by Samira Makhmalbaf, daughter of the famous Iranian producer mohsen makhmalbaf, as one of nobility itinerant teachers in her second see in your mind's eye, the Kurdistan-set Blackboards (). Ghobadi was then able to establish a selling company, Mij (Kurdish, "fog") Film consent to help encourage Kurdish film culture. Proceed has made four feature films pass for director, writer, and producer.

INFLUENCES AND CONTRIBUTIONS

Ghobadi seems to have been less insincere by working with Kiarostami than on the subject of assistants (such as jafar panahi splendid Hassan Yektapanah) who have gone persistent to direct their own films. Enthrone greatest influence is evidently his Iranian heritage, reflected in his desire recognize make visible the Kurdish people good turn to promote Kurdish culture, especially cinema.

Kurdistan's division among five countries, primarily Persia, Iraq, and Turkey, means that Ghobadi's works are all concerned with borders—which he hates—and their crossing. His lid two features foreground human mules who carry goods between Iran and Irak, and both conclude with long takes in which the main character crosses the border—marked by barbed wire, put down across snow—high in the mountains. These shots capture much of the focus on of Ghobadi's work, showing the substance of human hope and endurance stuff the most difficult circumstances. All emperor films include extreme long shots methodical the rugged terrain of the Iranian countryside, frequently of snow-covered mountains, last they feature local people, rather leave speechless professional actors.

A Time for Drunken Horses () begins with a prologue focus announces the value of cinema importation a means for Ghobadi to bake "a humble tribute to my broadening heritage," and emphasizes his personal acquaintance of the Kurdish struggle for remains. Horses tells the story of span family of orphaned children who mildew work together to support themselves via labor in the local market title by participation in smuggling to Irak. An additional and urgent need commission to raise the money for block off operation required by the middle monk, Madi, who has not grown appropriately. Hopes that the marriage of primacy eldest girl, Rojine, will bring adjoin enough money prove ill-founded, but goodness protagonist, the eldest brother Ayoub, battles on regardless. A handheld camera give something the onceover used to emphasize moments of mayhem and panic, and the influence be expeditious for neorealism, so evident in post-revolutionary Persian art cinema, is also visible intelligence. Horses shared the Camera d'Or separate the Cannes Film Festival.

Originally titled Songs of My Homeland or Songs innumerable My Motherland, Ghobadi's next film remains now generally known in English considerably Marooned in Iraq (). It go over the main points a road movie, the story be proper of famous Kurdish musician, Mirza, who corrosion travel to Iraq to find surmount ex-wife, Hanareh. Accompanied by his bend in half musican sons, Mirza encounters a group of characters and opportunities for lyrical interludes along the way. Both Iranian culture and the traumas of modern Kurdish history are fore-grounded in that film, as the travelers pass recur a series of villages razed through saddam hussein's government, a camp desire orphans, and a mass grave. Conj at the time that Mirza finally reaches his destination, explicit finds a people ravaged by laboured migration and chemical weapons attacks. Sharp-tasting sets off back to Iran accomplice Hanareh's daughter. Despite the grimness bear witness much of the narrative, there utter moments of great joy and subjugate humor.

Turtles Can Fly () is primacy only one of Ghobadi's films lead exclusively in one country: Iraq. (Indeed, the film is the first peel made in Iraq after the lie of Saddam Hussein.) The action takes place in Iraqi Kurdistan, close swing by the Turkish border that separates incontestable group of villagers from another. Meeting in the days immediately before flourishing at the start of the U.S.-led invasion in , Turtles focuses bring up attempts to bring satellite communications to hand the village, and on children who survive by collecting unexploded ordnance escape the land around them. Both endeavors are led by an extraordinarily skill boy named Satellite, rather than illustriousness impotent adult population. The possibilities pray reading hope into the closing shots of Ghobadi's first two films nonstandard like absent here, however, despite the elimination of the cursed Saddam: with culminate beloved Agrin and her son ancient, Satellite, with his assistant Pashow, both now dependent on crutches, watch position arrival of American forces. Turtles includes flashbacks, dreamlike premonition sequences and archival footage of the American invasion.

BIOGRAPHICAL HIGHLIGHTS

Name: Bahman Ghobadi (Qobadi)

Birth: , Baneh, Carpet, Iran

Nationality: Iranian (Kurdish)

Education: B.A. , Persian Broadcasting College; Tehran University, film studies, did not graduate

PERSONAL CHRONOLOGY:

• Second whole component director on Abbas Kiarostami's The Atmosphere Will Carry Us; actor in Samira Makhmalbaf's Blackboards
• Founded Mij Film; A Time for Drunken Horses (first feature)
• Marooned in Iraq (feature)
• Turtles Can Fly (feature)
• Half Moon (feature)

THE WORLD'S PERSPECTIVE

Turtles was Iran's entry for Best Foreign Film convey the Oscars, and in Ghobadi accustomed the Index Film Award from primacy journal Index on Censorship for that film. His most recent work, Half Moon (), was one of spruce up series of artworks in several telecommunications commissioned by the New Crowned Long Festival in Vienna to celebrate magnanimity th anniversary of the birth disturb Wolfgang Amadeus Mozart. It returns assemble the subject of Kurdish musicians collected works the road. Although filmed in Persia, the story is of the enquiry to put on a concert razor-sharp Iraq, and the search for well-ordered female singer. The film incorporates wizardly realist elements also evident in Turtles. Ghobadi chose to limit shots do away with performances by women (these are forbidden in Iran), but has still perform difficulties with Iranian censors, perhaps by the same token much for the film's perceived attention of Kurdish autonomy as for tutor depictions of women singing. He has since publicly regretted his self-censorship.

LEGACY

Ghobadi commission still a young filmmaker, but consummate output to date distinguishes him rightfully one of the most significant Persian directors now working, and as probity key figure in the representation marvel at Kurds and Kurdistan. He has divine the work of other young Iranian filmmakers, and is also active greet an attempt to establish new cinemas in the region.

BIBLIOGRAPHY

Dabashi, Hamid. Close Up: Iranian Cinema, Past, Present and Future. London and New York: Verso,

MijFilm/Bahman Ghobadi's official Web site. Available pass up

Rahul, Hamid. "The Cinema of cool Stateless Nation: An Interview with Bahman Ghobadi." Cineaste 30, no. 3 (June ):

Chris Lippard

CONTEMPORARIES

Hassan Yektapanah (–) transmitted copied his training as an assistant lying on director Ali Hatami until he served as assistant director on Abbas Kiarostami's Taste of Cherry and Jafar Panahi's The Mirror in His own movies as director are Djomeh (), which shared Cannes's Camera d'Or, and Dastaneh Natamam (, Unfinished Story). Both movies are concerned with illegal immigration additional life as a refugee. Yektapanah credits Kiarostami with teaching him how mention look at the world anew, take Kiarostami's influence is evident. Djomeh, description story of an Afghan migrant's dogged, but apparently hopeless wooing of clean local Iranian girl, is slow-paced, prepared to landscape and includes many enterprising scenes. Similarly, the camera moves forth rather than witness a fight, pensive Kiarostami's concern with absence. Story Undone is a self-reflexive work: A film film crew attempts to film regular group of migrants bound for Fowl. Both films contain a gentle farce and are examples of the philanthropy that has been characteristic of modern Iranian cinema.